The Cue Dot Confessions
Collected viewings 2012 -
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Sunday, March 26, 2017
MQFF NOTES: Women Who Kill (2016, Dir. Ingrid Jungermann)
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I'm a big fan of deadpan but something in MQFF's closing night film, Women Who Kill , out-deadpanned me. I didn't find enough ...
MQFF NOTES: The Nest (2016, Dir. Filipe Matzembacher, Marcio Reolon)
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Despite its short-run series origins, The Nest proves a wholly cinematic beast. Wholly cinematic, wholly vibrant, wholly queer. Across...
Saturday, March 25, 2017
MQFF NOTES: Tomcat (2016, Dir. Händl Klaus)
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People will say there's a scene. People will say they can't spoil it. People will decry its brutality. People will have you on...
MQFF NOTES: Suicide Kale (2015, Dir. Carly Usdin)
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As far as lo-fi indie queer film making goes, Suicide Kale is a rambling success. Carly Usdin's makeshift production is off-centre, ...
MQFF NOTES: Out Run (2016, Dirs. Leo Chiang, Johnny Symons)
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Out Run follows a rousing political campaign in the Philippines for Ladlad, the world's first LGBTI political party. Street-side c...
Friday, March 24, 2017
MQFF NOTES: Death in Buenos Aires (2014, Dir. Natalia Meta)
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Camp is everything in Natalia Meta's devilishly handsome Death in Buenos Aires . She's pulled everyone into its service. But th...
MQFF NOTES: Esteros (2016, Dir. Papu Curotto)
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Two men who shared a tender friendship in their youths before being separated by their parents reconnect in rural Argentina. They pick up...
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